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Fire Country Dreaming

Sale price$750 AUD


Size:

107cm x 30cm

Medium:

Acrylic on canvas

Orientation

This artwork can be hung landscape or portrait

Story from the certificate of authenticity:

This Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa/Jangala men and Nampijinpa/Nangala women have custodial responsibility.

An old man, ‘lungkarda’ (centralian blue-tongued lizard [Tiliqua multifasciata]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone, he would hunt and eat anything that he caught before they returned.

One day the sons returned with a kangaroo that they had caught after much tracking. Unfortunately, the kangaroo was sacred to the ‘lungkarda’, unbeknown to the boys. In his anger, the old man decided to punish his sons, and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air.

Although the boys beat out the flames, ‘lungkarda’s’ special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted, the boys were finally overcome by the flames.

In contemporary Warlpiri paintings, traditional iconography is used to represent the Jukurrpa, particular sites, and other elements. Usually, sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men’s cave), Kirrkirrmanu (where the sacred kangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons), and Marnimarnu (a water soakage) where the two Jangalas camped.



About Aboriginal Contemporary

Aboriginal Contemporary has an enviable reputation for quality, service and ethical trading; not just with our customers but with the art centres from whom we source our work.

This is in no small part due to owner Nichola Dare’s regular trips to some of the most remote parts of Australia and her ability to build relationships with art centres and artists, based on mutual trust and respect. Nichola’s time in Australia’s Western Desert, The Kimberley, APY Lands and Arnhem Land has also given her a deep understanding of the country and culture at the heart of the art we sell.

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