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Desert Fringe-rush Seed Dreaming

Sale price$230 AUD


Size:

30cm x 30cm

Medium:

Acrylic on canvas

Orientation

This artwork can be hung in any direction

Desert Fringe-rush Seed Dreaming is an original acrylic painting on canvas by Hilda Nakamarra Rogers, an Aboriginal artist associated with Warlukurlangu Artists in Yuendumu, Northern Territory.

Measuring 30 × 30 cm, the painting relates to Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming), associated with Jaralypari, a site north of Yuendumu.

Lukarrara is a grass that produces edible seeds, traditionally gathered and ground into flour using grinding stones. The flour is mixed with water to make damper cakes. The painting draws on Warlpiri cultural traditions in which concentric circles, U-shaped symbols and lines can represent significant sites, women gathering seeds and the plants themselves.

Created through Warlukurlangu Artists, an Aboriginal-owned art centre in Yuendumu, this original painting is accompanied by a certificate of authenticity.

Story from the certificate of authenticity:

This Jukurrpa belongs to women of the Nakamarra/Napurrurla subsections and to Jakamarra/Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Lukarrara (desert fringe-rush [Fimbristylis oxystachya & Fimbristylis eremophila]) is a grass with an edible seed. The seeds are traditionally ground on a large stone (‘ngatinyanu’) with a smaller stone (‘ngalikirri’) to make flour. This flour is mixed with water (‘ngapa’) to make damper cakes which are cooked and eaten. In Warlpiri traditional paintings iconography is used to represent the Jukurrpa, particular sites and other elements. Large concentric circles often represent the site of Jaralypari and also the seed bearing grass Lukurrara. ‘U’ shapes can depict the Karnta (women) collecting ‘lukarrara’ and straight lines are frequently used to portray seeds that fall down to the ground and are also collected by women using their ‘parrajas’ (wooden food carriers) and ‘karlangu’ (digging sticks).



About Aboriginal Contemporary

Aboriginal Contemporary has an enviable reputation for quality, service and ethical trading; not just with our customers but with the art centres from whom we source our work.

This is in no small part due to owner Nichola Dare’s regular trips to some of the most remote parts of Australia and her ability to build relationships with art centres and artists, based on mutual trust and respect. Nichola’s time in Australia’s Western Desert, The Kimberley, APY Lands and Arnhem Land has also given her a deep understanding of the country and culture at the heart of the art we sell.

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