Artist: Kelly-Anne Nungarrayi Gibson
Size: 122cm x 61cm
Medium: Acrylic on canvas
Story from the certificate of authenticity:
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are 'mulju', (soakages), or naturally occurring wells. The 'kirda', (owners), for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a 'pamapardu Jukurrpa', (termite dreaming), from Warntungurru to Warlura, a waterhole eight miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa, (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the 'kurdukurdu mangkurdu Jukurrpa', (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.
The termite Dreaming eventually continued west to Nyirripi, a community approximately 160km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a 'kirrkarlanji', (brown falcon) and taken farther north. At Puyurru, the falcon dug up a giant 'warnayarra', (rainbow serpernt). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The 'kirda', (owners), of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
In contemporary Warlpiri paintings, traditional iconography is used to represent the 'Jukurrpa', (Dreaming). Short dahes are often used to represent 'mangkurdu', (cumulus and stratocumulus clouds) and longer, flowing lines represent 'ngawarra', (flood waters). Small circles are used to depict, 'mulju', (soakages) and river beds.
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