{"title":"All Products","description":"","products":[{"product_id":"gift-card","title":"Gift Card","description":"\u003cp\u003eGive the gift of original Aboriginal art with an Aboriginal Contemporary gift card.\u003c\/p\u003e\n\u003cp\u003eThe perfect choice for art lovers, new collectors or anyone who would appreciate choosing their own artwork, our gift cards can be used towards the purchase of original contemporary Aboriginal art from our online gallery.\u003c\/p\u003e\n\u003cp\u003eAvailable in denominations from $50 to $5,000, gift cards are delivered electronically and can be sent directly to the recipient with a personalised message.\u003c\/p\u003e\n\u003cp\u003eAboriginal Contemporary works closely with Aboriginal artists and art centres across Australia, with a strong commitment to ethical sourcing and authenticity.\u003c\/p\u003e","brand":"Aboriginal Contemporary","offers":[{"title":"$50 Gift Card","offer_id":32327517077594,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true},{"title":"$100 Gift Card","offer_id":32327517175898,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true},{"title":"$250 Gift Card","offer_id":32327517143130,"sku":null,"price":250.0,"currency_code":"AUD","in_stock":true},{"title":"$500 Gift Card","offer_id":32327517110362,"sku":null,"price":500.0,"currency_code":"AUD","in_stock":true},{"title":"$1000 Gift Card","offer_id":42494988353626,"sku":null,"price":1000.0,"currency_code":"AUD","in_stock":true},{"title":"$5000 Gift Card","offer_id":42494991171674,"sku":null,"price":5000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/AC-Gift_45f4c221-c1eb-47df-9227-dfe0305cf5cb.jpg?v=1761738249"},{"product_id":"anumara-tjukurpa-maria-curley-102x62","title":"Anumara Tjukurpa","description":"\u003cp\u003eArtist: Maria Curley\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 102cm x 62cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on Belgian Linen\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStory from the certificate of authenticity:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eMaria Curley is painting the Anumara Tjukurpa (caterpillar dreaming) that she inherited from her Kami (grandmother).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis story is about the Anumara travelling from Wingelina (WA) to north-west South Australia. The Anumara lives in the grass and is in danger if the grass it lives in is eaten. The Anumara Tjukurpa story is kept secret. The place where the caterpillar lives is important and keeping the story secret protects the caterpillar from being eaten.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Anumara lives in grass country, tree country and salad country. Here there are lots of rocky mountains and stones that the Anumara moves through.\u003c\/p\u003e\n\u003cp\u003eThe Anumara is burnt by the sun and turns into rock if it does not move quick enough.\u003c\/p\u003e\n\u003cp\u003eThose rocks are still laying in Irintiti.\u003c\/p\u003e","brand":"Maria Curley","offers":[{"title":"Default Title","offer_id":32939876286554,"sku":"KAL20-238","price":1520.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/maria-curley-aboriginal-artwork.jpg?v=1764553070"},{"product_id":"conway-ginger-kangaroo-aboriginal-art","title":"Kangaroo, Son and Mother","description":"","brand":"Conway Ginger","offers":[{"title":"Default Title","offer_id":39261823238234,"sku":"CG216-19","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/Conway_Ginger_-_Kangaroo_Son_and_Mother_Aborigional_Art.jpg?v=1767749100"},{"product_id":"bush-turkey-snake-dreaming-aboriginal-art-85x50","title":"Bush Turkey \u0026 Snake Dreaming","description":"\u003cp\u003eArtist: Lily Hargraves\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSize: 85cm x 50cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003eIn this dreaming some snakes went out from a place east of Lajamanu, in the Tanami Desert, called Mirirrinyungu. The snakes are called Jutiya in Warlpiri. They were looking for water. They looked for water for a long time, but they didn't find any. While they were looking ,they saw turkeys at Kurlurrngalinypa. The snakes were feeling cold.They went down in to the warm earth and stayed underground forever, never to emerge. The dreaming belongs to Jungurrayi\/Japaljarri and Nungarray\/Napaljarri groups.\u003c\/p\u003e","brand":"Lily Hargraves","offers":[{"title":"Default Title","offer_id":39262033772634,"sku":"WARN71-16","price":1635.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/lily-hargraves-aboriginal-art.jpg?v=1764558089"},{"product_id":"luga-cracked-mud-kittey-malarvie-120x90","title":"Luga","description":"\u003cp\u003eArtist: Kittey Malarvie\u003c\/p\u003e\n\u003cp\u003eSize: 120cm x 90cm\u003c\/p\u003e\n\u003cp\u003eMedium: Natural ochre and pigment on canvas\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKittey has depicted the drying and cracked mud of her mother's Country along the Sturt River. She describes the area where she visited as a child along the banks and waterholes by the river as black soil country. \"When we were young, my sisters and cousins would play with dried and cracked mud flats. Luga, pronounced \"Looka\" is the name we had for the dried mud flats. In the wet seasons and after a big tide on the Sturt River the water would rise up on the black mud flats, as it dried it would turn crystal like salt. We would play making cakes from the dried shapes and sometimes play like stepping stones. sometimes the old people would eat these cracked mud cakes as bush medicine for the salt. I like making paintings from my memories from when we were young and all together.\"\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kittey Malarvie","offers":[{"title":"Default Title","offer_id":39278806204506,"sku":"WAR381212","price":5940.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/kittey-malarvie-aboriginal-artist.jpg?v=1764643633"},{"product_id":"luga-kittey-malarvie-aboriginal-art","title":"Luga","description":"\u003cp\u003eArtist: Kittey Malarvie \u003c\/p\u003e\n\u003cp\u003eSize: 76cm x 76cm\u003c\/p\u003e\n\u003cp\u003eMedium: Natural ochre and pigment on canvas\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003eLuga, (pronounced \"looka\") is the name we had for the dried mud flats on the Sturt River.In the wet seasons and after a big tide, the water would rise up on the black mud flats and as it would turn crystal, like salt. My parents used to eat the mud as a bush medicine. used for gut ache.\u003c\/p\u003e","brand":"Kittey Malarvie","offers":[{"title":"Default Title","offer_id":39278842216538,"sku":"WAR5112-15","price":2195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/kittey-malarvie-luga-aboriginal-art.jpg?v=1766014216"},{"product_id":"seed-collecting-makurra-lynley-nargoodah","title":"Seed Collecting Makurra","description":"\u003cp\u003eArtist: Lynley Marlingia Nargoodah\u003c\/p\u003e\n\u003cp\u003eSize: 120cm x 60cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic paint on polycarbonate\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on the certificate of authenticity:\u003cbr\u003eMakurra is my favourite season. After the rains have passed, makurra (cold weather) has come full of blossoms. The seeds are now fully formed and have started to bloom brightening up the country side with beautiful colours.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eI paint seed collecting because I take my children out bush to collect the seeds when they are ready, we then paint and make jewellery. I also teach the kids the different seasons.\u003c\/p\u003e","brand":"Lynley Marlingia Nargoodah","offers":[{"title":"Default Title","offer_id":39601083416666,"sku":"MAN256\/21","price":2320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/seed-collecting-makurra-lynley-nargoodah.jpg?v=1766015987"},{"product_id":"fitzroy-river-aboriginal-art-60x120","title":"Fitzroy River","description":"\u003cp\u003eArtist: Annette Lormada\u003c\/p\u003e\n\u003cp\u003eSize: 60cm x 120cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic paint on polycarbonate\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on the certificate of authenticity:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Annette Lormada","offers":[{"title":"Default Title","offer_id":39601257807962,"sku":"MAN248\/21","price":2760.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/annette-lormada-abiriginal-artist.jpg?v=1764643000"},{"product_id":"bush-medicine-120cm-x-60cm","title":"Rijijirr Bush Medicine","description":"\u003cp\u003eArtist: Amy Ngurnta Nuggett\u003c\/p\u003e\n\u003cp\u003eSize: 120cm x 60cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic paint on polycarbonate\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on the certificate of authenticity:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis painting is about the flowers and bush tucker that grows out in the desert which we use for medicine and food. The bush medicine plant called Rijijirr grows around the pirnti (waterhole). We used this plant by squeezing it together and rubbing it under our eyes to keep the flies away and getting a sore eye. We didn't want any bung eye. Rijijirr helped us for the bush medicine side when there was no doctor.\u003c\/p\u003e","brand":"Amy Ngurnta Nuggett","offers":[{"title":"Default Title","offer_id":39601805033562,"sku":"MAN254\/21","price":2540.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/17_4b20158d-cb13-4528-8371-970a75619c22.jpg?v=1750994671"},{"product_id":"bush-food-amy-ngurnta-nuggett","title":"Bush Food","description":"\u003cp\u003eArtist: Amy Ngurnta Nuggett\u003c\/p\u003e\n\u003cp\u003eSize: 120cm x 60cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic paint on polycarbonate\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on the certificate of authenticity\u003c\/p\u003e","brand":"Amy Ngurnta Nuggett","offers":[{"title":"Default Title","offer_id":39602014748762,"sku":"MAN255\/21","price":2540.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/bush-food-amy-ngurnta-nuggett.jpg?v=1766016332"},{"product_id":"water-dreaming-sabrina-nangala-robertson","title":"Water Dreaming","description":"\u003cp\u003eArtist: Sabrina Nangala Robertson\u003c\/p\u003e\n\u003cp\u003eSize: 76cm x 30cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtworks are posted stretched and ready to hang.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStory from the certificate of authenticity:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe site depicted in this painting is Pirlinyarnu (Mt. Farewell), about 165km west of Yuendumu in the Northern Territory. The 'kirda' (owners) for the water Dreaming site at Pirlinyarnu are Nangala\/Nampijinpa women and Jangala\/Jampijinpa men.\u003c\/p\u003e\n\u003cp\u003eTwo Jangala men, rainmakers, sang the rain, unleashing a giant storm that collided with another storm from Wapurtali at Mirawarri. A 'kirrkarlanji' (brown falcon [Falco berigora]) carried the storm further west from Mirawarri. The two storms travelled across the country from Karlipirnpa, a ceremonial site for the water Dreaming near Kintore that is owned by members of the Napaljarri\/Japaljarri and Napanangka\/Japanangka subsections. Along the way the storms passed through Juntiparnta, a site that is owned by Jampijinpa men. The storm eventually became too heavy for the falcon, it dropped the water at Pirlinyarnu, where it formed an enormous 'maluri' (claypan). A 'mulju' (soakage) exists in this place today. Whenever it rains today, hundreds of 'ngapangarlpa' (bush ducks) still fly to Pirlinyarnu.\u003c\/p\u003e\n\u003cp\u003eIn contemporary Warlpiri paintings, traditional iconography is used to represent the 'Jukurrpa' (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent 'mangkurdu' (cumulus and stratocumulus clouds), and longer, flowing lines represent 'ngawarra' (flood waters). Small circles are used to depict 'mulju' (soakages) and river beds.\u003c\/p\u003e","brand":"Sabrina Nangala Robertson","offers":[{"title":"Default Title","offer_id":40117153136730,"sku":"WA6841\/22","price":965.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/water-dreaming-sabrina-nangala-robertson-ethically-sourced.jpg?v=1766021653"},{"product_id":"country-around-yuendumu-clarise-poulson","title":"Country around Yuendumu","description":"\u003cp\u003eArtist: Clarise Poulson\u003c\/p\u003e\n\u003cp\u003eSize: 91cm x 76cm\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003eThis painting depicts the natural landscape around Yuendumu. The bush around Yuendumu features plenty of 'watiya' (trees), 'marna' (grass). 'kuyu' (animals) to hunt, and 'miyi' (edible plants) to gather.\u003c\/p\u003e\n\u003cp\u003eThere are a number of beautiful natural features close to Yuendumu, including rocky hills, creeks, soakages, and waterholes. There are also a number of small outstations around Yuendumu. These include Yuwali (Bean Tree), Wakurlpa, Purturlu (Mt.Theo), Jirla (Chilla Well), Yarripirlangu, Wayililinpa, and many more.\u003c\/p\u003e\n\u003cp\u003eThere are many sites around Yuendumu that are associated with different 'Jukurrpa' (Dreamings). These sites include a major 'yunkaranyi Jukurrpa' 9Honey ant Dreaming), which travels from the west to the east. Yuendumu is sometimes also called 'yurrampi' (honey ant) for this reason.\u003c\/p\u003e\n\u003cp\u003eA very big 'ngapa Jukurrpa' (water dreaming) travels past Yuendumu from the south far to the north. This Jukurrpa stops at Warlura, a waterhole 8 miles east of Yuendumu, and at Jukajuka, an important rock formation. 'Warlukurlangu Jukurrpa' (fire country Dreaming) lies to the west of Yuendumu, on the way to Nyirrpi. You can see the 'warlu' (fire) in the form of hundreds of red 'mingkirri' (termite mounds) that rise out of the ground in this area.\u003c\/p\u003e\n\u003cp\u003eOther Jukurrpa around Yuendumu include a 'janganpa Jukurrpa' (brush-tailed possum [Tricosurus vulpecula] Dreaming) associated with the hills to the north, and a 'yankirri Jukurrpa' (emu [Dromaius novaehollandiae] Dreaming) associated with Ngarlikirlangu, a rock formation to the north. A 'warlawurru Jukurrpa' (wedge-tailed eagle [Aquila audax] Dreaming) is associated with the Wakurlpa outstations and hills. A very big 'warna Jukurrpa' (snake Dreaming) passes through Mijirlparnta (Mission Creek), west of Yuendumu. This Jukurrpa tells the story of a blind and crippled python, Yarripiri, who was carried by the 'kurdungurlu' (custodians) of the Jukurrpa from the south to the far north. This Jukurrpa is associated with the important Jardiwarnpa conflict resolution ceremony.\u003c\/p\u003e\n\u003cp\u003eAll the sites around Yuendumu are owned and cared for by different skin subsections and are associated with different Jukurrpa. Some people are 'kirda' (owners0 of the Jukurrpa, and others are 'kurdungurlu' (custodians).\u003c\/p\u003e\n\u003cp\u003eIn Warlpiri paintings, traditional iconography can be used to represent the landscape around the area, the Jukurrpa, and other elements. Paintings of Jukurrpa around Yuendumu can include emu tracks, possum tracks. or eagle tracks. Wavy lines are frequently used to represent water or fire, and concentric circles can represent waterholes or camps.\u003c\/p\u003e","brand":"Clarise Poulson","offers":[{"title":"Default Title","offer_id":40119341744218,"sku":"WA2154\/21","price":1780.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/country-around-yuendumu-clarise-poulson.jpg?v=1766019860"},{"product_id":"lake-baker-neville-mcarthur","title":"Lake Baker","description":"\u003cp\u003eArtist: Neville Niypula McArthur\u003c\/p\u003e\n\u003cp\u003eSize: 101.6cm x 101.6cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNeville McArthur was born at Tutana a rockhole in the Spinifex Country South of Warburton.He has lived most of his life in Patjarr and Warburton but now resides in Wanarn. Neville paints tjukurrpa from his homeland in Spinifex Country such as Wilpina (Lake Baker, South-West of Warburton) and Malu Tjukurrpa. He couldn't tell any details about Wilpina - it's a strong and sacred Tjukurrpa. Neville has had a long career as an artist working with the Spinifex Arts Project, Warburton Art Project, Kayili Artists and since moving to Wanarn in 2010, working with Warakurna Artists. He is also recognised for his skillful carving of traditional men's weaponry.\u003c\/p\u003e","brand":"Neville Niypula McArthur","offers":[{"title":"Default Title","offer_id":40160243613786,"sku":"WARA361-16","price":3825.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/lake-baker-neville-mcarthur.jpg?v=1766015180"},{"product_id":"kiju-lila-creek-101-6x152-4","title":"Kiju","description":"\u003cp\u003eArtist: Lila Creek\u003c\/p\u003e\n\u003cp\u003eSize: 101.6cm x 152.4cm\u003c\/p\u003e\n\u003cp\u003eMedium: Earth and Dry Pigment on Linen\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity :\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKiju (mud crab) is very good eating. I have been hunting kiju with my family all my life. We make a fire on the beach and wait for it to die down and then cook the kiju on the coals. In my culture,we leave the shell where we can catch the kiju so next time there will be plenty more to hunt and eat. this was what my elders taught me, and I am showing the young ones how to look after their Country and to do things the right way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe best time to go hunting for mud crab is when the mangkurru (mangroves) are flowering. That's when we know the kiju is nice and fat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUs Bana (people), use plants to tell us when to hunt or collect certain foods. It's our culture and lore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lila Creek","offers":[{"title":"|stretched","offer_id":40204598411354,"sku":"BANA340-22","price":2900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/lila-creek-aboriginal-art.jpg?v=1764552410"},{"product_id":"skinny-bush-banana-nola-fisher-122x46","title":"Skinny Bush Banana","description":"\u003cp\u003eArtist: Nola Fisher\u003c\/p\u003e\n\u003cp\u003eSize: 122cm x 46cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on canvas\u003c\/p\u003e\n\u003cp\u003ePurrpalanji (skinny bush banana [Rhyncharrhena linearis]) is a twining climber with thin leaves and pink-brown flowers. Its bean-like edible pods are long and skinny, and can grow up to 20 cm long. It is fire tolerant and grows quickly whenever moisture is available. Like yuparli (bush banana [Marsdenia australis]), all of the plant is eaten aside from the woody stems.\u003c\/p\u003e\n\u003cp\u003eThis purrpalanji Jukurrpa(skinny bush banana Dreaming) comes from Pikilyi (Vaughan Springs), a large waterhole and natural spring to the west of Yuendumu, close to Mount Doreen. Napangardi\/Napanangka women and Japangardi\/Japanangka men are the kirda(owners) of the skinny bush banana Dreaming at Pikilyi. Nangala women and Jangala men are the kurdungurlu (custodians) of this Dreaming.\u003c\/p\u003e\n\u003cp\u003eNapangardi and Napanangka women collect purrpalanji (skinny bush banana) and yuparli (bush banana) around Pikilyi in their parraja (coolamons). They cook the purrpalanji and yuparli in hot ashes to get rid of the acidic taste they can have when eaten raw. The skinny bush banana Dreaming is only associated with Pikilyi, and does not travel to other locations. Pikilyi is an important site associated with a number of different Dreamings. These include yuparli Jukurrpa (bush banana Dreaming), warrilyi ngurlu Jukurrpa (blue mallee [Eucalyptus polybractea] seed Dreaming), kakalyalya Jukurrpa (cockatoo Dreaming), and warna-jarra Jukurrpa (two snakes Dreaming). In the two snakes Dreaming story, Napangardi and Napanangka women picked lice off of the two snakes living in the waterhole at Pikilyi.\u003c\/p\u003e\n\u003cp\u003eIn Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. Curved lines are used to represent the long, skinny edible portion of the purrpalanji (skinny bush banana).\u003c\/p\u003e","brand":"Nola Fisher","offers":[{"title":"Default Title","offer_id":40208623370330,"sku":"WA1544\/22","price":1030.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/nola-fisher-aboriginal-art.jpg?v=1764553564"},{"product_id":"alice-guiness-burndud-ground","title":"Alice Guiness – Burndud Ground","description":"\u003cp\u003eArtist: Alice Guiness\u003c\/p\u003e\n\u003cp\u003eSize: 116cm x 146cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on Canvas\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003e\u003cspan class=\"TextRun Highlight SCXW156967988 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW156967988 BCX0\"\u003eThe \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW156967988 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2 SCXW156967988 BCX0 DefaultHighlightTransition\"\u003eBurndud\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW156967988 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW156967988 BCX0\"\u003e is the sacred M\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW156967988 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2 SCXW156967988 BCX0 DefaultHighlightTransition\"\u003earrga\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW156967988 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW156967988 BCX0\"\u003e creation spirits dance ground at B\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW156967988 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2 SCXW156967988 BCX0\"\u003eirlinbirlin\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW156967988 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW156967988 BCX0\"\u003e on the Fortescue River. It is an important story in Yindjibarndi culture which relates to Birdarra Law. Its a dance in our traditions, It’s a unique law and it belongs to the Yindjibarndi people.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Alice Guiness","offers":[{"title":"Default Title","offer_id":40244560003162,"sku":"JU23-198","price":6600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/Alice_Guiness.jpg?v=1792012655"},{"product_id":"products-martha-protty-kunga-kutjara-aboriginal-art","title":"Kunga Kutjara","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Martha Protty","offers":[{"title":"Default Title","offer_id":40276278640730,"sku":"TJ23-171KA","price":1700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/Kunga_Kutjara_Kunga_Kutjara_acrylic_on_canvas_by_Martha_Protty.jpg?v=1768185575"},{"product_id":"piltati-mukayi-baker-180x100","title":"Piltati","description":"\u003cp\u003eArtist: Mukayi Baker\u003c\/p\u003e\n\u003cp\u003eSize: 180cm x 100cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on Linen\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThere were two sisters who married two brothers and they all lived together. One day the women went wandering and they went such a long way that they forgot about their husbands. Back at the camp, the two husbands were thinking, 'Where are our wives?' and they decided to go looking for them. One brother said to the other, 'What should we become to go looking for them?' and the other brother said 'Why don't we become Rainbow Serpents?' And they travelled in the sky looking down for their wives. Finally they see them hunting for carpet snakes and they put something in the hole where the women were digging. The women find it and then dig another hole and once again the men have put something in there. And this is how the men lure the women back to Piltati where the men make the sisters transform into Wanampi, swallow them and keep them in their throats. All four of them live together in the waterhole and still live there today.\u003c\/p\u003e","brand":"Mukayi Baker","offers":[{"title":"Default Title","offer_id":40278470819930,"sku":"ER132-23","price":5000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/mukayi-baker-aboriginal-art..jpg?v=1764549178"},{"product_id":"wantili-warnti-i-canning-stock-route-well-25-106cm-x-152cm","title":"Wantili","description":"","brand":"Bugai Whyoulter","offers":[{"title":"Default Title","offer_id":40282236420186,"sku":"MART20-1012","price":8000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/IMG_6885_7e9282ca-4feb-4263-a0b6-359c6056de86.jpg?v=1750994842"},{"product_id":"walu-rockhole-dreaming-dianne-golding-76x152","title":"Walu Rockhole Dreaming","description":"\u003cp\u003eArtist: Dianne Ungukalpi Golding\u003c\/p\u003e\n\u003cp\u003eSize: 76cm x 152cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on canvas\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003eThis painting depicts a story from the Walu rockhole. There were two men and one little boy camping at the rockhole. The men went hunting and the little boy stayed. The men returned with an emu and pulled out its heart. The boy was holding the heart and blood spilt out onto the rocks. He ran away with the heart and turned into wind. The emu's blood trail stained the rocks and it can still be seen there today.\u003c\/p\u003e","brand":"Dianne Ungukalpi Golding","offers":[{"title":"Default Title","offer_id":40282244055130,"sku":"WARA66-23","price":2100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/dianne-ungukalpi-golding-aboriginal-art.jpg?v=1764555637"},{"product_id":"copy-of-kathy-ramsays-untitled-80cm-x-80cm","title":"Warlawoon","description":"\u003cp\u003eArtist: Kathy Ramsay\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 80cm x 80cm\u003c\/p\u003e\n\u003cp\u003eMedium: Natural ochre and pigments on canvas\u003c\/p\u003e","brand":"Kathy Ramsay","offers":[{"title":"|stretched","offer_id":40282250117210,"sku":"WAC280\/22","price":2400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/13_924e18a9-7a73-4917-ab8f-4a17e463f81a.jpg?v=1750994833"},{"product_id":"desert-truffle-dreaming-tina-napangardi-martin-30x30cm","title":"Desert Truffle Dreaming","description":"\u003cp\u003eArtist: Tina Napangardi Martin\u003c\/p\u003e\n\u003cp\u003eSize: 30cm x 30cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on canvas\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003c\/p\u003e\n\u003cp\u003eThis ‘jintiparnta Jukurrpa’ (desert truffle [Elderia arenivaga] Dreaming) comes from Mina Mina. Mina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks [Allocasuarina decaisneana]). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/p\u003e\n\u003cp\u003eThe ‘kirda’ (owners) of this Jukurrpa are Napangardi\/Napanangka women and Japangardi\/Japanangka men. There are a number of different Jukurrpa associated with Mina Mina; artists usually choose to depict one particular Jukurrpa in their paintings. In addition to ‘jintiparnta’ (desert truffle), these can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts\/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), and ‘kurrkara’ (desert oak [Allocasuarina decaisneana]).\u003c\/p\u003e\n\u003cp\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/p\u003e\n\u003cp\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/p\u003e\n\u003cp\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ (bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. \u003c\/p\u003e\n\u003cp\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other group of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu (an area that literally means ‘belonging to women’) to dig for ‘wardapi’ (sand monitor\/goanna [Varanus gouldii]) and ‘jintiparnta’ (desert truffle). ‘Jintiparnta’ appears in the sandhills after the winter rains. The growing fungus forces the earth above it to crack, exposing it. Women dig it out of the ground and squeeze out the liquid inside to drink before cooking it in hot ashes. \u003c\/p\u003e\n\u003cp\u003eAfter stopping to collect the ‘jintiparnta’ at Karntakurlangu, the women kept traveling further north. However, both groups of women eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/p\u003e\n\u003cp\u003eThe Mina Mina Jukurrpa (of which this ‘jintiparnta’ Jukurrpa is a part) contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.\u003c\/p\u003e\n\u003cp\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. 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Bush tucker, whole lot!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's a happy day, a happy time; everyone is together at this place Kurlkurta, sitting down with a rich feast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKurlkurta is a cultural homeland for the families of Tjukurla of immense significance. The site is vast and located in some of the remotest part of the continent; its inaccessiblity adding to its gravity.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elsa Fiona Young","offers":[{"title":"Default Title","offer_id":41298855788634,"sku":"TJ21-1186","price":3000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/7_f48e0e89-d879-45a1-a369-c4924cf6d480.jpg?v=1750994774"},{"product_id":"the-monoliths-of-the-legendary-euro-palm-paddocks","title":"Palm Paddocks","description":"\u003cp\u003eArtist: Reinhold Inkamala\u003c\/p\u003e\n\u003cp\u003eSize: 51cm x 67cm\u003cbr\u003e\u003cbr\u003eMedium: Acrylic on canvas\u003c\/p\u003e\n\u003cp\u003eThis work has been inspired by Albert Namatjira's painting of this same location.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Reinhold Inkamala","offers":[{"title":"Default Title","offer_id":41479870316634,"sku":"MH425-23","price":1240.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/reinhold-inkamala-aboriginal-art-palm-paddocks.jpg?v=1764636706"},{"product_id":"alyape-palm-valley-aboriginal-art-56x137","title":"Alyape","description":"\u003cp\u003eArtist: Reinhold Inkamala\u003c\/p\u003e\n\u003cp\u003eSize: 56cm x 137cm\u003cbr\u003e\u003cbr\u003eMedium: Acrylic on canvas\u003c\/p\u003e","brand":"Reinhold Inkamala","offers":[{"title":"Default Title","offer_id":41479875199066,"sku":"MH181-24","price":2700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/reinhold-inkamala-aboriginal-artwork.jpg?v=1764559712"},{"product_id":"tjoritja-country-painting-inkamala","title":"Tjoritja","description":"\u003cp\u003eArtist: Reinhold Inkamala\u003c\/p\u003e\n\u003cp\u003eSize: 52cm x 66.5cm\u003cbr\u003e\u003cbr\u003eMedium: Acrylic on canvas\u003c\/p\u003e","brand":"Reinhold Inkamala","offers":[{"title":"Default Title","offer_id":41479876575322,"sku":"MH94-24","price":1240.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/reinhold-inkamala-aboriginal-artist.jpg?v=1764560306"},{"product_id":"landscape-warakurna-cynthia-burke","title":"Landscape - Warakurna","description":"\u003cp\u003eArtist: Cynthia Burke\u003c\/p\u003e\n\u003cp\u003eSize: 150cm x 150cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCynthia's Paintings depict topographical maps of the country surrounding and of Warakurna Community. Her works often explore the changes this landscape undergoes with changing seasons. She maps out the numerous waterholes and sandhills with consideration, to show the subtle contours of this country. While Cynthia's paintings do not speak specifically to Tjukurrpa (dreaming). her work is always heavily influenced by culture, and her family.\u003c\/p\u003e\n\u003cp\u003eCynthia learnt about painting through these important family members but has since developed a distinctive personal practice. She states, \" I have worked really hard at taking what I learnt and developing my own style.\"\u003c\/p\u003e","brand":"Cynthia Burke","offers":[{"title":"Default Title","offer_id":41510115377242,"sku":"WARA29-23","price":6700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/landscape-warakurna-cynthia-burke-aboriginal-art.jpg?v=1766032037"},{"product_id":"landscape-warakurna-cynthia-burke-100x100","title":"Landscape - Warakurna","description":"\u003cp\u003eArtist: Cynthia Burke\u003c\/p\u003e\n\u003cp\u003eSize: 100cm x 100cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCynthia's Paintings depict topographical maps of the country surrounding and of Warakurna Community. Her works often explore the changes this landscape undergoes with changing seasons. She maps out the numerous waterholes and sandhills with consideration, to show the subtle contours of this country. While Cynthia's paintings do not speak specifically to Tjukurrpa (dreaming). her work is always heavily influenced by culture, and her family.\u003c\/p\u003e\n\u003cp\u003eCynthia learnt about painting through these important family members but has since developed a distinctive personal practice. She states, \" I have worked really hard at taking what I learnt and developing my own style.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Cynthia Burke","offers":[{"title":"Default Title","offer_id":41510124322906,"sku":"WARA231-24","price":3000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/cynthia-burke-aboriginal-artwork.jpg?v=1764551453"},{"product_id":"landscape-warakurna-150cm-x-76cm-1","title":"Landscape - Warakurna","description":"\u003cp\u003eArtist: Cynthia Burke\u003c\/p\u003e\n\u003cp\u003eSize: 150cm x 76cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCynthia's Paintings depict topographical maps of the country surrounding and of Warakurna Community. Her works often explore the changes this landscape undergoes with changing seasons. She maps out the numerous waterholes and sandhills with consideration, to show the subtle contours of this country. While Cynthia's paintings do not speak specifically to Tjukurrpa (dreaming). her work is always heavily influenced by culture, and her family.\u003c\/p\u003e\n\u003cp\u003eCynthia learnt about painting through these important family members but has since developed a distinctive personal practice. She states, \" I have worked really hard at taking what I learnt and developing my own style.\"\u003c\/p\u003e","brand":"Cynthia Burke","offers":[{"title":"Default Title","offer_id":41510134284378,"sku":"WARA262-24","price":3450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/4_4d0d4585-1a02-4e54-a33a-3a1ce332aa4d.jpg?v=1750995001"},{"product_id":"landscape-warakurna-cynthia-burke-150x76","title":"Landscape - Warakurna","description":"\u003cp\u003eArtist: Cynthia Burke\u003c\/p\u003e\n\u003cp\u003eSize: 150cm x 76cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCynthia's Paintings depict topographical maps of the country surrounding and of Warakurna Community. Her works often explore the changes this landscape undergoes with changing seasons. She maps out the numerous waterholes and sandhills with consideration, to show the subtle contours of this country. While Cynthia's paintings do not speak specifically to Tjukurrpa (dreaming). her work is always heavily influenced by culture, and her family.\u003c\/p\u003e\n\u003cp\u003eCynthia learnt about painting through these important family members but has since developed a distinctive personal practice. She states, \" I have worked really hard at taking what I learnt and developing my own style.\"\u003c\/p\u003e","brand":"Cynthia Burke","offers":[{"title":"Default Title","offer_id":41510134710362,"sku":"WARA332-22","price":3450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/cynthia-burke-aboriginal-artist.jpg?v=1764551800"},{"product_id":"landscape-warakurna-cynthia-burke-90x120","title":"Landscape - Warakurna","description":"\u003cp\u003eArtist: Cynthia Burke\u003c\/p\u003e\n\u003cp\u003eSize: 90cm x 120cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCynthia's Paintings depict topographical maps of the country surrounding and of Warakurna Community. Her works often explore the changes this landscape undergoes with changing seasons. She maps out the numerous waterholes and sandhills with consideration, to show the subtle contours of this country. While Cynthia's paintings do not speak specifically to Tjukurrpa (dreaming). her work is always heavily influenced by culture, and her family.\u003c\/p\u003e\n\u003cp\u003eCynthia learnt about painting through these important family members but has since developed a distinctive personal practice. She states, \" I have worked really hard at taking what I learnt and developing my own style.\"\u003c\/p\u003e","brand":"Cynthia Burke","offers":[{"title":"Default Title","offer_id":41510136479834,"sku":"WARA233-24","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/cynthia-burke-aboriginal-art.jpg?v=1764550306"},{"product_id":"many-spears-70cm-x-120cm","title":"Many Spears","description":"\u003cp\u003eArtist: Freddy Ken\u003c\/p\u003e\n\u003cp\u003eSize: 70cm x 120cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on Linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eStory from the certificate of authenticity:\u003cbr\u003eFreddy is painting his grandfather's country in far west South Australia. He depicts kulata tjuta (many spears) travelling through the sky to catch wati wanampi (snake man). Those wati wanampi are moving fast through the sky. There was one woman waiting there with a baby and she said there was a wati who was nearby hiding in a bush, ready to duck down and go and then throw those spears.\u003c\/span\u003e\u003c\/p\u003e","brand":"Freddy Ken","offers":[{"title":"Default Title","offer_id":41823060918362,"sku":"ER372-24","price":2600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/8_b5604020-fec8-439a-84f9-8d69c610bdaf.jpg?v=1750995262"},{"product_id":"waterholes-tjulyata-kulyuru-121x98","title":"Waterholes","description":"\u003cp\u003eArtist: Tjulyata Kulyuru\u003c\/p\u003e\n\u003cp\u003eSize: 121cm x 98cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eStory from the certificate of authenticity:\u003cbr\u003eFor the Pitjantjatjara people living in the desert, Knowledge of their water sources was critical to their survival. This resulted in an intimate understanding of the landscape which continues today. Deep familiarity with the topography of their country and the way rain would interact with the land ensured constant sources of water could be found.'Tkukula' means rock-holes, which are found with surprising frequency in the Musgrave ranges. Between visits, Anangu (people) would use rocks and spinifex construction to guard these from spoilage by animals and, particularly in more recent times, from feral and stock animals, cattle, camels, horses and donkeys.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tjulyata Kulyuru","offers":[{"title":"Default Title","offer_id":41823082250330,"sku":"ER512-24","price":3600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/Tjulyata-kulyuru-aboriginal-art-waterholes.jpg?v=1764637598"},{"product_id":"piltati-mukayi-baker-149x76","title":"Piltati","description":"\u003cp\u003eArtist: Mukayi Baker\u003c\/p\u003e\n\u003cp\u003eSize: 149cm x 67cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on Linen\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003cbr\u003eThere were two sisters who married two brothers and they all lived together. One day the women went wandering and they went such a long way that they forgot about their husbands. Back at the camp, the two husbands were thinking, 'Where are our wives?' and they decided to go looking for them. One brother said to the other, 'What should we become to go looking for them?' and the other brother said 'Why don't we become Rainbow Serpents?' And they travelled in the sky looking down for their wives. Finally they see them hunting for carpet snakes and they put something in the hole where the women were digging. The women find it and then dig another hole and once again the men have put something in there. And this is how the men lure the women back to Piltati where the men make the sisters transform into Wanampi, swallow them and keep them in their throats. All four of them live together in the waterhole and still live there today.\u003c\/p\u003e","brand":"Mukayi Baker","offers":[{"title":"Default Title","offer_id":41823086772314,"sku":"ER14-25","price":3000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/mukayi-baker-aboriginal-artist.jpg?v=1764548699"},{"product_id":"wamikata-walka-tali-lynette-lewis-124x70","title":"Wamikata Walka Tali","description":"\u003cp\u003eArtist: Lynette Lewis\u003c\/p\u003e\n\u003cp\u003eSize: 124.5cm x 70cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on Canvas\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eStory from the certificate of authenticity:\u003cbr\u003eLynette's design is inspired by the ripples created by wind in the sand at the large, red sand dune named Womikata near Ernabella. Womikata is a popular place for looking for maku (witchetty grubs) and also for teaching Milpatjunanyi (telling stories in the sand) to children.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lynette Lewis","offers":[{"title":"Default Title","offer_id":41823092736090,"sku":"ER635-24","price":4200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/lynette-lewis-aboriginal-art.jpg?v=1764639678"},{"product_id":"salt-lake-170x180-janice-stanley","title":"Salt Lake","description":"\u003cp\u003eArtist: Janice Stanley\u003c\/p\u003e\n\u003cp\u003eSize: 170cm x 180cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eStory from the certificate of authenticity:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\u003cbr\u003eA very significant tjurkurpa (story) to Anangu is Kungkarangkalpa (Seven Sisters) which is an extensive creation story relating to the Pleiades constellation. The story traverses Australia taking different forms, but local women are privy to the part of the story which takes place in the country near Ernabella.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIn her paintings Janice is depicting a salt lake near Attila (Mt Connor), a landmark in the Seven Sisters story. This story has been passed down to her by senior artist and aunt Renita Stanley. In this part of the story the three sisters are walking and traveling south through this country. The salt lake that is a part of this arid county comes alive after the rain. As the kapi (water) moves across the land it transforms the colour and light on the land and Janice is painting this change and movement.\u003c\/span\u003e\u003c\/p\u003e","brand":"Janice Stanley","offers":[{"title":"Default Title","offer_id":41877637660762,"sku":"ER282-24","price":9000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/salt-lake-170x180-janice-stanley-pantu-salt-lake.jpg?v=1766031235"},{"product_id":"salt-lake-janice-stanley-170x180","title":"Salt Lake","description":"\u003cp\u003eArtist: Janice Stanley\u003c\/p\u003e\n\u003cp\u003eSize: 170cm x 180cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eStory from the certificate of authenticity:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\u003cbr\u003eA very significant tjurkurpa (story) to Anangu is Kungkarangkalpa (Seven Sisters) which is an extensive creation story relating to the Pleiades constellation. The story traverses Australia taking different forms, but local women are privy to the part of the story which takes place in the country near Ernabella.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIn her paintings Janice is depicting a salt lake near Attila (Mt Connor), a landmark in the Seven Sisters story. This story has been passed down to her by senior artist and aunt Renita Stanley. In this part of the story the three sisters are walking and traveling south through this country. The salt lake that is a part of this arid county comes alive after the rain. As the kapi (water) moves across the land it transforms the colour and light on the land and Janice is painting this change and movement.\u003c\/span\u003e\u003c\/p\u003e","brand":"Janice Stanley","offers":[{"title":"Default Title","offer_id":41877639626842,"sku":"ER24-24","price":9000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/salt-lake-170x180-janice-stanley-aboriginal-art.jpg?v=1766030823"},{"product_id":"salt-lake-janice-stanley-200cm-120cm","title":"Salt Lake","description":"\u003cp\u003eArtist: Janice Stanley\u003c\/p\u003e\n\u003cp\u003eSize: 200cm x 120cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eStory from the certificate of authenticity: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\u003cbr\u003eA very significant tjurkurpa (story) to Anangu is Kungkarangkalpa (Seven Sisters) which is an extensive creation story relating to the Pleiades constellation. The story traverses Australia taking different forms, but local women are privy to the part of the story which takes place in the country near Ernabella.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2;\"\u003eIn her paintings Janice is depicting a salt lake near Attila (Mt Connor), a landmark in the Seven Sisters story. This story has been passed down to her by senior artist and aunt Renita Stanley. In this part of the story the three sisters are walking and traveling south through this country. The salt lake that is a part of this arid county comes alive after the rain. As the kapi (water) moves across the land it transforms the colour and light on the land and Janice is painting this change and movement.\u003c\/span\u003e\u003c\/p\u003e","brand":"Janice Stanley","offers":[{"title":"Default Title","offer_id":41877642674266,"sku":"ER228-24","price":7000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/salt-lake-janice-stanley-aboriginal-art.jpg?v=1766022568"},{"product_id":"snakevine-dreaming-107x30cm","title":"Snakevine Dreaming","description":"\u003cp\u003eArtist: Valda Napangardi Granites\u003c\/p\u003e\n\u003cp\u003eSize: 107cm x 107cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on canvas\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003c\/p\u003e\n\u003cp\u003eThis ngalyipi Jukurrpa (snakevine [Tinospora smilacina] Dreaming) comes from Mina Mina. Mina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a marluri (salt lake or claypan) that is usually dry, without water. There are also a number of mulju(soakages), sandhills, and a large stand of kurrkara (desert oaks). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/p\u003e\n\u003cp\u003eThe kirda(owners) of this Jukurrpa are Napangardi\/Napanangka women and Japangardi\/Japanangka men. There are a number of different Jukurrpa associated with Mina Mina; artists usually choose to depict one particular Jukurrpa in their paintings. In addition to ngalyipi (snakevine), these can include karnta (women), karlangu (digging sticks), majardi (hairstring skirts\/tassels), kurrkara (desert oak [Allocasuarina decaisneana]), and jintiparnta (desert truffle [Elderia arenivaga]).\u003c\/p\u003e\n\u003cp\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral karnta (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and karlangu (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with majardi (hairstring belts), white feathers, and necklaces made from yinirnti (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with minyira (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a yinkardakurdaku (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/p\u003e\n\u003cp\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the walyankarna (snake ancestors). The walyankarna had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the walyankarna further north to Yaturluyaturlu (near the Granites gold mine). In this way, the karnta Jukurrpa (women's Dreaming) and ngarlkirdi Jukurrpa (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/p\u003e\n\u003cp\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, collecting ngalyipi (snakevine), and creating many places as they went. Ngalyipi is a rope-like creeper that grows up the trunks and limbs of trees, including kurrkara(desert oak). It is used as a ceremonial wrap and as a strap to carry parraja (coolamons) and ngami (water carriers). Ngalyipi stems can be pounded between stones and tied around the forehead to cure headaches, and Warlpiri sometimes also chew the leaves to treat severe colds.\u003c\/p\u003e\n\u003cp\u003eAs the women went east, they passed through Kimayi (a stand of kurrkara(desert oak)). They passed through sandhill country where the yarla(bush potato or big yam [Ipomea costata]) ancestors from Yumurrpa and the ngarlajiyi (pencil yam or small yam [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what theyâ€™d left behind.\u003c\/p\u003e\n\u003cp\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other group of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu (an area that literally means â€˜belonging to womenâ€™) to dig for â€˜wardapiâ€™ (sand monitor\/goanna [Varanus gouldii]) and â€˜jintiparntaâ€™ (desert truffle) before travelling further north. However, both groups of women eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/p\u003e\n\u003cp\u003eThe Mina Mina Jukurrpa (of which this ngalyipi Jukurrpa is a part) contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively owned by men.\u003c\/p\u003e\n\u003cp\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of this Jukurrpa, sinuous lines are used to represent the ngalyipi (snakevine). Concentric circles are often used to represent the jintiparnta (desert truffles) that the women have collected, while straight lines can be used to depict the karlangu (digging sticks).\u003c\/p\u003e","brand":"Valda Napangardi Granites","offers":[{"title":"Default Title","offer_id":42011898118234,"sku":"WA1592\/23","price":2300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/snakevine-dreaming-valda-napangardi-granites-aboriginal-art.jpg?v=1764030016"},{"product_id":"fire-country-dreaming-76cn-x-46cm","title":"Fire Country Dreaming","description":"\u003cp\u003eArtist: Nathania Nangala Granites\u003c\/p\u003e\n\u003cp\u003eSize: 76cm x 46cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtworks are posted stretched and ready to hang.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"line-height: 1.2;\"\u003eStory from the certificate of authenticity:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa\/Jangala men and Nampijinpa\/Nangala women have custodial responsibility. An old man 'lungkarda' (centralian blue-tongued lizard [Tiliqua multifasciata]]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone he would hunt and eat everything that he caught before they returned. One daythe sons returned with a kangaroo that they had caught after much tracking. Unfortunately the kangaroo was sacred to the 'lungkarda', unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air.Although the boys beat out the flames, 'lungkarda's' special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men's cave), Kirrkirrmanu (where the sacredkangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and marnimarnu (a water soakage) where the two Jangalas camped.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nathania Nangala Granites","offers":[{"title":"Default Title","offer_id":42011900444762,"sku":"WA4230\/24","price":780.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/nathania-nangala-granites-aboriginal-art.jpg?v=1763784127"},{"product_id":"fire-country-dreaming-vanetta-hudson","title":"Fire Country Dreaming","description":"\u003cp\u003eArtist: Vanetta Hudson\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on canvas\u003c\/p\u003e\n\u003cp\u003eSize: 122cm x 76cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtworks are posted stretched and ready to hang.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa\/Jangala men and Nampijinpa\/Nangala women have custodial responsibility. An old man 'lungkarda' (centralian blue-tongued lizard [Tiliqua multifasciata]]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone he would hunt and eat everything that he caught before they returned. One daythe sons returned with a kangaroo that they had caught after much tracking. Unfortunately the kangaroo was sacred to the 'lungkarda', unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air.Although the boys beat out the flames, 'lungkarda's' special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men's cave), Kirrkirrmanu (where the sacredkangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and Marnimarnu (a water soakage) where the two Jangalas camped.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vanetta Hudson","offers":[{"title":"Default Title","offer_id":42012050948186,"sku":"WA3477\/24","price":2100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/vanetta-hudson-aboriginal-art.jpg?v=1763783133"},{"product_id":"mina-mina-dreaming-sabrina-napangardi-granites","title":"Mina Mina Dreaming","description":"\u003cp\u003eArtist: Sabrina Napangardi Granites\u003c\/p\u003e\n\u003cp\u003eSize: 30cm x 30cm\u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on canvas\u003c\/p\u003e\n\u003cp\u003eStory from the certificate of authenticity:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks [Allocasuarina decaisneana]). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.\u003c\/p\u003e\n\u003cp\u003eThe ‘kirda’ (owners) of this country are Napangardi\/Napanangka women and Japangardi\/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts\/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak [Allocasuarina decaisneana]).\u003c\/p\u003e\n\u003cp\u003eThe Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.\u003c\/p\u003e\n\u003cp\u003eWhen the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.\u003c\/p\u003e\n\u003cp\u003eThe women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ (bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. \u003c\/p\u003e\n\u003cp\u003eThe women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other group of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (sand monitor\/goanna [Varanus gouldii]) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.\u003c\/p\u003e\n\u003cp\u003eThis Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.\u003c\/p\u003e\n\u003cp\u003eIn contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Nathania Nangala Granites","offers":[{"title":"Default Title","offer_id":42016649412698,"sku":"WA8653\/23","price":230.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0143\/8612\/files\/sabrina-napangardi-granites-mina-mina-dreaming.jpg?v=1763781294"},{"product_id":"purrungu-jillian-giles-121x147","title":"Purrungu","description":"\u003cp\u003eArtist: Jillian Giles\u003c\/p\u003e\n\u003cp\u003eSize: 147.3cm x 121.9cm \u003c\/p\u003e\n\u003cp\u003eMedium: Acrylic on Canvas\u003c\/p\u003e\n\u003cp\u003eBiography\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJillian grew up in Kaltukatjara (Docker River) with her parents and her five siblings. She went to school in Alice Springs. She learnt to paint from her mother the Tjukurrpa of the Tjukurla area. She has been living and painting both in Alice Springs and across the Ngaanyatjarra lands in recent years, and visits family in Tjukurla where she paints with the Tjarlirli artists.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStory from the certificate of authenticity:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is my mother's story at Purrungu near Tjurkurla. There's a waterhole there. People would come and sit down and sleep there. There's a rockhole underground, and Tali (sandhills), there's Kapi (water) and a lake. Irititja, long ago, all the ladies were travelling around getting bush tucker, crossing the sandhills, with their families. When the rain came, they saw all that water. They go other places, maybe Pangkurrpirri or Yilpikarri, but they always comeback.\u003cbr\u003eThis Tjukurrpa is Minyma Kutjarra, two ladies, there at the rockhole, sitting round and digging. One of the ladies, she was a mother, she had a baby, so she got milk. Mother gotta go in and get the water from that underground rockhole. Go in when it's full up, wet, and put that kapi on her mimi (breasts). But there was a snake at that waterhole so she can't turn around, can't turn her back to the snake, she just gotta keep walking back from the kapi. just get that kapi and reverse back. She got that kapi and went back to the other ladies.\u003cbr\u003eIt's mum's dreaming, I can't do a different story. She told me i gotta do it like this, and when she passed away, we always do it like this. I was gonna put the two ladies {in the canvas}, minyma, but i thought leave it, it's right. I put the lake, the rockhole, the water,and the sandhills, Tali,like my mum always did. That's the same story, happening in the same place. 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